tag:blogger.com,1999:blog-1985680669015181843.post2929636797361957599..comments2022-11-17T08:25:12.204-05:00Comments on Scenes From a Notebook: Port Authority IIMichellehttp://www.blogger.com/profile/07821454890994040285noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-1985680669015181843.post-21567918426525193142008-06-03T05:57:00.000-04:002008-06-03T05:57:00.000-04:00Hilton Als had a piece on this in this week's New ...Hilton Als had a <A HREF="http://www.newyorker.com/arts/critics/theatre/2008/06/02/080602crth_theatre_als" REL="nofollow">piece</A> on this in this week's New Yorker too.kthttps://www.blogger.com/profile/02660080739069396346noreply@blogger.comtag:blogger.com,1999:blog-1985680669015181843.post-51073273825912459472008-06-02T16:07:00.000-04:002008-06-02T16:07:00.000-04:00Okay, having re-read this post, I agree. It doesn'...Okay, having re-read this post, I agree. It doesn't make a whole lot of sense. When I get a copy of the play, and I will, I'll quote from this monologue and describe it better. It's worth taking apart a first person monologue and see how it's built.Michellehttps://www.blogger.com/profile/07821454890994040285noreply@blogger.comtag:blogger.com,1999:blog-1985680669015181843.post-53691019114517055252008-06-01T22:49:00.000-04:002008-06-01T22:49:00.000-04:00Thank you for this, for sharing this. I'm not even...Thank you for this, for sharing this. I'm not even sure what it is, but it left me feeling as If I'd experienced a good play of longing and desire and hope.Anonymousnoreply@blogger.com